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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Essays, Interviews, &amp; Non-fiction - good bye, bad bye - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Essays, Interviews, &amp; Non-fiction - good bye, bad bye - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.leadlightmagazine.com.au/essays-interviews-non-fiction/what-counts-and-what-gets-counted</loc>
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      <image:title>Essays, Interviews, &amp; Non-fiction - What Counts and What Gets Counted: On nutrition labels, bioactives, and learning to eat again - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Essays, Interviews, &amp; Non-fiction - What Counts and What Gets Counted: On nutrition labels, bioactives, and learning to eat again - Make it stand out</image:title>
      <image:caption>TIME Magazine cover from March 26, 1984.</image:caption>
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      <image:title>Essays, Interviews, &amp; Non-fiction - What Counts and What Gets Counted: On nutrition labels, bioactives, and learning to eat again - Make it stand out</image:title>
      <image:caption>TIME Magazine cover from July 19, 1999.</image:caption>
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    <loc>https://www.leadlightmagazine.com.au/essays-interviews-non-fiction/whats-your-story</loc>
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    <lastmod>2026-04-09</lastmod>
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      <image:title>Essays, Interviews, &amp; Non-fiction - What’s Your Story? In Conversation with Holly Reynolds - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Essays, Interviews, &amp; Non-fiction - What’s Your Story? In Conversation with Holly Reynolds</image:title>
      <image:caption>“I think we’re all walking around with chapters and chapters inside us,” she says. “We just don’t often get the right questions.”</image:caption>
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      <image:title>Essays, Interviews, &amp; Non-fiction - What’s Your Story? In Conversation with Holly Reynolds - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Essays, Interviews, &amp; Non-fiction - What’s Your Story? In Conversation with Holly Reynolds</image:title>
      <image:caption>“I think we all fundamentally want to be loved, accepted and understood,” Holly says. “People like to be heard.”</image:caption>
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  <url>
    <loc>https://www.leadlightmagazine.com.au/essays-interviews-non-fiction/ardi-jonathan-chalouhi</loc>
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    <lastmod>2026-04-09</lastmod>
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      <image:title>Essays, Interviews, &amp; Non-fiction - Ardi: A meditation on land, legacy, and belonging - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Essays, Interviews, &amp; Non-fiction - Ardi: A meditation on land, legacy, and belonging - For Chalouhi, film was the only form that felt accessible.</image:title>
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      <image:title>Essays, Interviews, &amp; Non-fiction - Ardi: A meditation on land, legacy, and belonging - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Essays, Interviews, &amp; Non-fiction - Ardi: A meditation on land, legacy, and belonging</image:title>
      <image:caption>“At the beginning when he’s starting the well, he tells me the story of how he had to build a well during the war because there was no water. I only included a bit of this story in the film, but in our conversation he speaks of there being no water for him and his community to grow things. People weren’t growing anything anymore. So, he built this well and made sure that people from the different plots of land around him could also access the water. He provided for everyone.  He built this well with his own hands and even seeing him continue to use it now, to see it still standing and operating was so cool. I could imagine the same piece of land and that same generator that I saw him use to start it existing 50 years ago, and that was kind of cool to see the history that it holds.  He knows exactly what to do, without any technology, and he does it all on his own, because he loves this kind of stuff. He loves his land.”</image:caption>
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    <image:image>
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      <image:title>Essays, Interviews, &amp; Non-fiction - Ardi: A meditation on land, legacy, and belonging - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Essays, Interviews, &amp; Non-fiction - Ardi: A meditation on land, legacy, and belonging - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/691bd1e81594c049ab90d32d/3a72c511-11cb-474c-ae24-99104fba4242/Untitled+design+%2810%29.png</image:loc>
      <image:title>Essays, Interviews, &amp; Non-fiction - Ardi: A meditation on land, legacy, and belonging - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Essays, Interviews, &amp; Non-fiction - Ardi: A meditation on land, legacy, and belonging - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.leadlightmagazine.com.au/essays-interviews-non-fiction/on-language-power-and-identity</loc>
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    <priority>0.5</priority>
    <lastmod>2026-01-17</lastmod>
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      <image:title>Essays, Interviews, &amp; Non-fiction - In dialogue with trent newman: on language, power and identity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/691bd1e81594c049ab90d32d/0a4f9383-f717-491b-9d4b-357161f3dbcb/20190317_091215.jpg</image:loc>
      <image:title>Essays, Interviews, &amp; Non-fiction - In dialogue with trent newman: on language, power and identity - Make it stand out</image:title>
      <image:caption>Trent in Bethlehem in 2019 on the Palestinian side of Israel’s separation wall which began construction in 2002, slicing through Palestinian communities, agricultural fields, and farmland at the height of the second Intifada.</image:caption>
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      <image:title>Essays, Interviews, &amp; Non-fiction - In dialogue with trent newman: on language, power and identity - Make it stand out</image:title>
      <image:caption>Trent in 1997 at Chavin de Huántar, Peru.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Essays, Interviews, &amp; Non-fiction - In dialogue with trent newman: on language, power and identity - Make it stand out</image:title>
      <image:caption>Trent in south-eastern Nepal, 1999, sharing observations with the local Village Development Programme coordinators after volunteering with the United Nations Development Programme. The man wearing white was Trent and his partner’s translator.</image:caption>
    </image:image>
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      <image:title>Essays, Interviews, &amp; Non-fiction - In dialogue with trent newman: on language, power and identity - Make it stand out</image:title>
      <image:caption>Trent sharing research findings with community development educators at the national university in Timor-Leste.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Essays, Interviews, &amp; Non-fiction - In dialogue with trent newman: on language, power and identity - Make it stand out</image:title>
      <image:caption>Sign appears in Sinhalese, English, and Tamil on the east coast of Sri Lanka, 2015.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Essays, Interviews, &amp; Non-fiction - In dialogue with trent newman: on language, power and identity - Make it stand out</image:title>
      <image:caption>Trent outside the walls of Jerusalem’s old city in 2019.  The Mount of Olives can be seen behind him.</image:caption>
    </image:image>
  </url>
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    <lastmod>2025-11-24</lastmod>
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      <image:title>Essays, Interviews, &amp; Non-fiction - Perspective was the original sin of western painting - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Essays, Interviews, &amp; Non-fiction - Perspective was the original sin of western painting - Make it stand out</image:title>
      <image:caption>Holbein, Hans, The Ambassadors, oil on oak, 1533, National Gallery, London.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Essays, Interviews, &amp; Non-fiction - Perspective was the original sin of western painting - Make it stand out</image:title>
      <image:caption>The skull from The Ambassadors as seen from the side.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/691bd1e81594c049ab90d32d/b33aaabf-c0ad-4e48-8497-6455fd4fd8d0/Picture+1.jpg</image:loc>
      <image:title>Essays, Interviews, &amp; Non-fiction - Perspective was the original sin of western painting - Make it stand out</image:title>
      <image:caption>Claesz, Pieter, Still Life with a Violin and Glass Ball, oil on oak, 1625-1628, Germanisches National Museum, Nuremberg.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/691bd1e81594c049ab90d32d/6d64ecc0-4138-4e01-a0cb-0ed39865e199/Picture+2.jpg</image:loc>
      <image:title>Essays, Interviews, &amp; Non-fiction - Perspective was the original sin of western painting - Make it stand out</image:title>
      <image:caption>Piola, Domenico, Anamorphosis after Elevation on the Cross, circa 17th century, Rouen Museum of Fine Arts, Rouen.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Essays, Interviews, &amp; Non-fiction - Perspective was the original sin of western painting - Make it stand out</image:title>
      <image:caption>Anamorphosis after Elevation on the Cross as seen through a cylindrical convex mirror.</image:caption>
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  <url>
    <loc>https://www.leadlightmagazine.com.au/essays-interviews-non-fiction/the-vulnerability-projekt</loc>
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    <priority>0.5</priority>
    <lastmod>2026-01-17</lastmod>
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      <image:title>Essays, Interviews, &amp; Non-fiction - The Vulnerability Projekt - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/691bd1e81594c049ab90d32d/3c03ffa3-4ca6-4706-a154-aaa53b92a21e/Screenshot+2025-07-12+at+1.39.48%E2%80%AFPM.png</image:loc>
      <image:title>Essays, Interviews, &amp; Non-fiction - The Vulnerability Projekt - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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